Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Thomas Cole
Expulsion - Moon and Firelight

ID: 09899

Thomas Cole Expulsion - Moon and Firelight
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Thomas Cole Expulsion - Moon and Firelight


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Thomas Cole

1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.  Related Paintings of Thomas Cole :. | The Consummation of the Empire | The Voyage of Life:Youth (mk13) | The Cross and the World | View on the Catskill-Early Autumn | A View of the Two Lakes and Mountain House,Catskill Mountains Morning |
Related Artists:
BOCCACCINO, Boccaccio
Italian painter, Cremonese school (b. before 1466, Ferrara, d. 1524/25, Cremona) He is first recorded in 1493 in Genoa, where he contracted to paint the high altarpiece (untraced) for S Maria della Consolazione. In 1497 he was extracted from prison in Milan by the agent of Ercole I d'Este, Duke of Ferrara, and worked for the Duke in Ferrara until 1500. Perhaps as a consequence of having killed his common-law wife he then left, presumably for Venice, where he is recorded as residing in 1505. A fresco in Cremona Cathedral is dated 1506.
JOOS van Wassenhove
Dutch painter (active c.1460-80). South Netherlandish painter, active also in Italy. First documented in 1460, when he matriculated in the Antwerp painters' guild, he subsequently moved to Ghent, entering the painters' guild on 6 October 1464. In 1467 he painted 40 escutcheons with the papal arms for the cathedral of St Bavo, Ghent, his only documented commission in the Netherlands. He sponsored the entry of Hugo van der Goes to the Ghent guild on 5 May 1467 and of Sanders Bening on 19 January 1469, the last date on which Joos is recorded at Ghent. He is stated, in a document of 1475, to have departed for Rome some time previously, with an advance of money from Hugo van der Goes. It is not known if Joos reached Rome, but it is generally accepted that he worked at Urbino, where early sources mention a Netherlandish painter, Giusto da Guanto (Justus of Ghent), who was responsible for the altarpiece of the Communion of the Apostles (Urbino, Pal. Ducale) of 1473-4.
Alexander Wilson
Alexander Wilson (July 6, 1766 - August 23, 1813) was a Scottish-American poet, ornithologist, naturalist, and illustrator. Wilson was born in Paisley, Scotland, the son of an illiterate distiller. In 1779 he was apprenticed as a weaver. His main interest at this time was in writing poetry (Robert Burns was seven years older than Wilson). Some of Wilson's work - commenting on the unfair treatment of the weavers by their employers - got him into trouble with the authorities. The "golden age of Renfrewshire song" is embodied in the persons of Wilson and Robert Tannahill. Alexander Wilson was born near the Hammils, a broad if not steep waterfall in Paisley where the River Cart skirts Seedhill. It does indeed appear to be the case, as William Motherwell states, that a great amount of literary activity began in Paisley around this time. Illustration from "An American ornithologyIn May 1794 Wilson left Scotland with his nephew to find a better life in America. Wilson obtained employment as a schoolteacher in Milestown, near Philadelphia. In 1801 he left Milestown and found a new teaching post in Gray's Ferry, Pennsylvania; Wilson took up residence in nearby Kingsessing. It was here that he met the famous naturalist William Bartram who developed Wilson's interest in ornithology. In 1802 Wilson decided to publish a book illustrating all the North American birds. With this in mind he traveled widely, watching and painting birds and collecting subscribers for his book. The result was the nine-volume American Ornithology (1808-1814), illustrating 268 species of birds, 26 of which had not previously been described. He died during the writing of the ninth volume, which was completed and published after his death by his friend George Ord. Wilson lies buried next to Ord at Gloria Dei Church cemetery in Philadelphia, Pennsylvania.






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